REFLECTIONS ON TRAVEL WRITING

by Roy Hoffman
Spalding MFA faculty, fiction & creative nonfiction

Roy_BlogImageWhen you pack your bags for your next trip, whether a few hours from home or as far away, to an American traveler, as Buenos Aires, Rome, or Edinburgh, take along your travel writer’s sensibility. You’ll already have the tools in place—pen and paper, laptop and camera—so making a record of where you go, what you see, eat, and learn, is not a practical but perceptual challenge.  Our senses become heightened by the excitement of travel, the allure of different landscapes, languages and foods. As writers we note it all in colorful detail in our journals and e-mails home. But how can we shape this material into articles or personal essays for a larger audience? Here are some tips—and questions—to keep in mind. Continue reading “REFLECTIONS ON TRAVEL WRITING”

TAPPING INTO THE “FOREVER EMPTY”: A Conversation between Mentor & Mentee

by Gabriel Jason Dean
Spalding MFA faculty, Screenwriting
cassie headshot

Cassie Brower

Spalding Screenwriting student, Cassie Brower, is currently the Director of Original Programming at Disney Junior in Los Angeles. DISNEY JUNIOR LOGOCassie has overseen the hit shows Sofia the First, The Lion Guard, Jake and the Never Land Pirates, Mickey and the Roadster Racers, Sheriff Callie’s Wild West, as well as several short series. I had the pleasure of working with Cassie as her mentor during her first semester at Spalding.  We inevitably discussed time-management and daily practice during our time together. And since those are topics I’m asked about by almost all the Spalding students I mentor, I reckoned a blog post was in order. But rather than just espousing what works for me, I thought it might also be beneficial to hear from Cassie, arguably one of Spalding’s busiest students.  Continue reading “TAPPING INTO THE “FOREVER EMPTY”: A Conversation between Mentor & Mentee”

RE-VISION: Wright-ing; Erasure, Embroidering; the tweak

 

By Kira Obolensky
Spalding MFA faculty, playwriting

obolensky_blog_quoteGreetings, fellow writers. I write to you from the distant fields of my own particular revision process; the mud pit of the second draft.  Most of the writers I know talk about revision without saying the word. When I ask a writer friend about her revision, her response is, “Knee deep. I’m putting the damn thing in first person now.”  Continue reading “RE-VISION: Wright-ing; Erasure, Embroidering; the tweak”

GROWING UP WRITING

By Nancy McCabe
Spalding MFA Faculty, Creative Nonfiction

“…reminiscing about my origins as a writer is not just a nostalgic act, but one that helps me to keep sight of the reasons why I write.”

I’m surprised by people who think of writing as drudgery, an onerous task we take on to punish ourselves only because of our unforgiving work ethics. For me, the need to write goes back to my childhood, when writing was just another game, like playacting or drawing. Writing, when I was young, was a pleasure, a refuge, solace, a chance to play, with no need to demand perfection from myself, and writing as an adult, is, much of the time, an attempt to recapture that experience. Continue reading “GROWING UP WRITING”

MY SPALDING MFA WORLD TRAVELS WITH KATY & FRIENDS

By Kathleen Driskell
Spalding MFA Associate Program Director

I’m delighted to be leading our Spalding MFA summer abroad residency in Edinburgh, July 12-24, with Katy Yocom, Associate Program Director, and Ellyn Lichvar, Administrative Assistant. With our distinguished summer 2017 MFA faculty Silas House, Shane McCrae, Dianne Aprile, Leslea Newman, Charlie Schulman, and Helena Kriel, we are planning a bonnie curriculum for our students and alumni Continue reading “MY SPALDING MFA WORLD TRAVELS WITH KATY & FRIENDS”

SAILING WITH AHAB’S WIFE

By Sena Jeter Naslund
Spalding MFA Program Director

Growing up, it was the novel rather than the short story that had made me want to be a writer, but in graduate school at Iowa I had written only short stories. While I had published a short story collection, Ice Skating at the North Pole, I would need to serve an apprenticeship learning how to manage the form of the novel, from the inside-out. Continue reading “SAILING WITH AHAB’S WIFE”

THE JOYS OF WRITING SHORT

By Katy Yocom
Spalding MFA Associate Administrative Director

“Write it short, then make it shorter. Watch it start to glow.”

Maybe it’s my journalism background, but I find it exciting to write to a word limit. This week, I’m finishing an essay for a blurred-genre contest with a 750-word limit. Many publications have a limit of 1,000 words for flash. Continue reading “THE JOYS OF WRITING SHORT”

CUT, PASTE, REPEAT: Collage Writing

by Dianne Aprile
Spalding MFA Faculty, Creative Nonfiction

…the collage form encourages us to write in a distilled, imagistic, unconsciously meaningful way…

A year or so ago, I started thinking about teaching writing classes at an art center near where we live on the east side of Seattle. At first, I thought I’d like to lead ekphrastic writing classes, making use of the art exhibited at the Kirkland Arts Center, which draws to its gallery the work of artists from all over the country—and beyond. Continue reading “CUT, PASTE, REPEAT: Collage Writing”