The novel that started it all

By Kathleen Driskell, Chair, Spalding School of Creative & Professional Writing

The novel that helped launch the Spalding MFA Program: As we celebrate our twentieth anniversary, our Residency Book in Common for Spring 2021 is Sena Jeter Naslund’s Ahab’s Wife

Several years before the MFA program was founded at Spalding, the Humanities Department, of which I was a faculty member, invited founding editor Sena Jeter Naslund and managing editor Karen Mann to move the literary journal The Louisville Review from the University of Louisville to a new home at Spalding. Sitting around the editorial table in my campus office, I remember when I began to hear that Sena was finishing her newest novel, Ahab’s Wife: Or, The Star-Gazer. She’d published a number of beautiful books of fiction before, but Ahab’s Wife was about to launch her into the stratosphere. After an exciting auction involving several New York publishing houses, we were delighted to learn that her novel had been acquired by William Morrow. The literary world was soon buzzing with anticipation for the publication of Ahab’s Wife.

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Multiple Perspectives: To Use or Not

By Beth Ann Bauman, Writing for Children & Young Adults Faculty

Maybe it’s just me, but the use of multiple perspectives in middle-grade and YA fiction seems to have swelled in the last decade. And it’s understandable why this is an appealing choice for a writer. It’s fun to head hop, use different voices, and create a broader understanding of the world. When done well, it makes for a satisfying, compelling read, such as in the young-adult novel Salt to the Sea by Ruta Sepetys, a WWII story that follows four narrators seeking passage on a ship to escape a Soviet advance. The shifting perspectives provide a wide lens on this historical event while keeping a strong narrative focus. But handling multiple perspectives is tricky and complicated, and a book can easily lose its narrative unity. Before attempting, here are some considerations:

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