For me, poetry is a balance, or a vacillation, between overthinking a thing until I’ve ground it to dust, and floating on the air, letting the writing happen. One translation of this happens when I try not to think at all, to the extent that that is possible, and write, and then follow that up later by looking at every last detail as I edit.
By Fenton Johnson, Spalding’s School of Creative & Professional Writing, Fiction/Creative Nonfiction Faculty
I spend part of these quiet days imagining how we will be together again. Is it possible that, once shelter-in-place restrictions are lifted, life will resume exactly as before? A dear friend, a Holocaust survivor, once pointed at the news on television and said flatly, “You see these things and you know we have learned nothing.” But I am an American, imbued with American mythology, and cannot so easily let go of the notion that we might learn from experience.
By Nancy McCabe, Creative Nonfiction and Fiction Faculty, Spalding’s School of Creative & Professional Writing
My forthcoming book, Can This Marriage Be Saved? A Memoir, took me thirty years to write. I’m not kidding. It’s not like I was working on it every day for thirty years; I put it aside for long periods. But it didn’t fully take off for me until I embraced approaches I had long resisted, playing with extended metaphors and borrowed forms as shaping devices.
by Douglas Manuel, Spalding’s School of Writing Poetry Faculty
When I moved to the L.A. area in 2013, I didn’t know much about Wanda Coleman. I didn’t know she was known as the “L.A. Blueswoman.” I didn’t know she was the low-key, real, unofficial Poet Laureate of Los Angeles. I didn’t know about her Lenore Marshall Prize. I didn’t know about Mercurochrome being a finalist for the National Book Award. I didn’t know about her coming for Maya Angelou (All love and praise due to Maya Angelou though!) and writing that A Song Flung Up to Heaven “seem[ed] small and inauthentic, without ideas, wisdom or vision.” Honestly, and this hurts me the most to admit, I hadn’t even read a single poem of Coleman’s before she died on November 22, 2013. And even worse, I didn’t even go to her memorial at the downtown L.A. Central Public Library that January of the following year. What a fool I am, what a fool!
Many people want to know, “What does an MFA in Writing at Spalding get me?” So we asked our alums of all ages and from all over the world to help us out.
Forty-eight graduates, 19 men and 29 women, starting with the first class of 2003 to the present, responded to our open question: How did the Spalding MFA in Writing low-residency program impact you professionally, creatively, and personally? Their responses extol and probe both surprising and not surprising reasons to pursue an MFA in general, and a Spalding MFA in particular. Continue reading “WHY DO AN MFA IN WRITING, AND WHY AT SPALDING UNIVERSITY?”→
By Katy Yocom Spalding MFA Associate Administrative Director
The Spalding low-residency MFA in Writing program is gearing up for its spring residency, May 26-June 4 in Louisville, Kentucky. The residency features dozens of special events and sessions, acclaimed guest speakers, faculty craft lectures, and a special performance by the nationally acclaimed Louisville Leopard Percussionists.
In addition, the MFA program is pleased to welcome a new faculty member in writing for children and young adults, as well as a special guest workshop leader in poetry.