By: Arwen Mitchell

Spalding MFA Alumn in Playwriting

When one of my nieces was two, she went through her “mine” phase, which was in turn amusing and annoying.  One day I found her swaying from side to side to some music, and with a look of strong consternation, she informed me how she felt about it: “Mine.  My dance.” Continue reading “When In Cleveland: A Playwright’s Search for “What’s Mine”” →