A Cornucopia of Riches for Our Spalding Writing Community: Fall 2019 Residency Overview

By Kathleen Driskell, Chair, Spalding’s School of Creative and Professional Writing

Here’s something I’ve learned. Nearly everybody thinks they have a picture book in them. Another thing I’ve learned? To underestimate the expertise needed to write a good picture book is foolish. At Spalding’s Fall 2019 SCPW residency in Louisville, we’ll give our writers a chance to explore picture book practice during our cross-genre venture into Writing for Children and Young Adults.

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Screenwriter Bruce Marshall Romans Joins the Faculty of Spalding University’s School of Creative and Professional Writing

By Katy Yocom, Spalding School of Writing Associate Director

Spalding University’s School of Creative and Professional Writing welcomes acclaimed television and film writer and producer Bruce Marshall Romans to the faculty. Romans, whose television writing and producing credits include Hell on Wheels and Marvel’s The Punisher, will deliver a lecture about writing for TV at the upcoming November residency before taking on full teaching duties with the Spring 2020 semester, when he will lead a writers’ room workshop at the May residency and mentor screenwriting students in independent study.

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The ups & downs of creating a micro-budget feature film

By Sam Zalutsky, Spalding School of Writing Dramatic Writing Faculty

This week, my “new” movie, Seaside (@seasidemovie on Instagram and Facebook), a revenge thriller set on the Oregon Coast, was released by Gravitas Ventures (@gravitasVOD) on multiple streaming platforms, including iTunes, Amazon, Vudu, Google Play, and Vimeo. For a while I wondered if Seaside would ever see the light of day so I am really excited and grateful to be able to share it with you.

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The Little Dramatic Writing Program That Could: Part Two

By Charlie Schulman, Faculty, Writing for TV, Screen, and Stage
Spalding University’s School of Creative and Professional Writing

Matt Wohl graduated from the Spalding low-residency MFA in Writing program in 2013. He has been teaching at Broward College for the past two years and is on the Executive Board of Film Florida. His new feature film, SCOOTER, will receive its World Premiere in Miami Beach on September 12. I recently asked him a few questions about his experience writing, directing, and producing his first feature film.

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“Changing All the Time”: An Interview with Katy Yocom

by Kaylene Johnson-Sullivan

Photo credit: Terry Price

Have you ever turned the last page of a good book and wished you could sit down and have a meaningful conversation with the author? I had just finished reading an advance copy of Three Ways to Disappear by Katy Yocom and decided to act on that impulse.

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The Pressures and Pleasures of a Weekly Critique Group

By Edie Hemingway, Spalding MFA Writing for Children & YA Faculty

If you’re at all familiar with the Spalding University low-residency MFA in Writing program, you know that the daily workshop is a fundamental part of the intense 10-day residency. Each student submits approximately 20 pages of a manuscript to be read and critiqued in advance by each member of the workshop, as well as by the faculty leader/s. Then, over the course of the residency, an hour of positive, constructive discussion is devoted to each piece. Although there are many other exciting events and inspiring aspects of the residency, I have to say, speaking both as a former student and now as a member of the faculty, the workshop has always been my favorite part.

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Four innovative writers join the faculty of Spalding’s School of Creative and Professional Writing

The School of Creative and Professional Writing at Spalding University is pleased to announce the hiring of four new faculty members to teach in the school’s low-residency graduate writing
programs.

Jason Kyle Howard joins the faculty in the areas of creative nonfiction and professional writing. Howard is author of A Few Honest Words, an essay collection that explores how the land and culture of Kentucky have shaped American music through the work of musicians including Dwight Yoakam, Jim James, and Naomi Judd, among others. He is author of the essay and oral history collection Something’s Rising (co-written with Silas House). A widely acclaimed music writer, Howard has interviewed musicians spanning all genres including Yoko Ono, Carly Simon, Patty Griffin, and the legendary folksinger Jean Ritchie. His essays and commentary have appeared in the New York TimesOxford AmericanSalonThe NationThe MillionsUtne Reader, Paste and Sojourners and have been featured on C-SPAN’s Book TV and NPR. He previously served as senior editor for Equal Justice Magazine. Howard is currently editor of Appalachian Heritage, a literary quarterly based at Berea College, where he teaches and directs the creative writing program. He lives in Lexington, Kentucky, and holds an MFA from Vermont College of Fine Arts.

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Spalding University’s Master of Arts in Writing Program Now Accepting Applications

35-credit program lowers barriers of cost and time, creates path into MFA program

LOUISVILLE, Ky. (April 29, 2019)—Spalding University’s newly created low-residency Master of Arts in Writing program is now accepting applications for its first incoming class. Applications are due by August 1 for entry into the Fall 2019 semester, which begins with a residency in November.

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Making it New

By Dianne Aprile, Spalding School of Writing Creative Nonfiction Faculty

“Don’t write with a pen. Ink tends to give the impression the words shouldn’t be changed.”

Richard Hugo

The poet Richard Hugo published those lines many years ago to underscore the necessity of flexibility and revision in the writing process. Presumably heeding his own advice, Hugo used a pencil to jot down his first-draft thoughts on the subject. But if ever there was good reason to trade lead for ink, this final version is it. Hugo’s words deserve the permanence of a waterproof, indelible ultra-bold Sharpie.

Why? Well, because his message is so important, there should be no risk of it being rubbed out or overlooked.

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