By Beth Ann Bauman, Spalding MFA Faculty, Writing for Children and Young Adults
One of my favorite TV shows is the HBO crime drama “The Night Of.” It’s tough and gritty and co-written by the inimitable Richard Price. I’m going to detour here and mention how at a New Yorker festival years back, I first met Price when he and another author gave talks about their writing. The first was affected and kept tinkling the ice in his glass in a soft, actorly way. He was sort of full of it. Price, on the other hand, bounded onto the stage when it was his turn, looking like he was wearing a pajama top. He looked at us and said, “Hey, did you know there’s a really good bar across the street?” Well, he had our attention.
By Katy Yocom, Spalding Low-Residency MFA Associate Program Director
First she participated in the MFA program’s musical theatre workshop. Then she wrote about it for MusicalWriters.com.
In this week’s blog post, we’re proud to highlight Donna Gay Anderson’s (PW ’18) fun and informative article. Take a look and find out why this Spring 2018 workshop was in such high demand … and how creative team Charlie Schulman and Michael Roberts work together like Fred and Ginger!
By Sam Zalutsky, Spalding MFA Screenwriting Faculty
I used to read the New York Times cover to cover, every day. I’d start with the Sports pages (no lie!) and then move on to business, and then arts, and finally open the first section. Sometimes it was a challenge to take in all the events happening around the world, but I was raised by parents who saw the Times as the great American truth-teller, the arbiter of the news that mattered. And despite its many biases, it really is a great paper.
Cross-genre exploration has been a hallmark of the Spalding low-residency MFA in Writing curriculum since the program was launched in 2001. But while many students arrive eager to explore across genres, others aren’t so sure. “I want to be able to focus on my own area,” they’ll say.