By Douglas Manuel, Spalding School of Writing Poetry Faculty
The fact the decade was ending snuck up on me, much as old age often does: no impact at all, and then, suddenly, one’s perspective on flights of stairs changes, and one’s lower back finds the key of pain a little more often. I quote T.S. Eliot far too often: “I grow old … I grow old.” So yes, because of the stupors of routine and/or the acute observation fatigue I often feel (Our current political situation is a heavy stone I remove from my chest daily.), I did not feel the sighing swirls of decade’s end until the onslaught of end-of-decade lists saturated my television time with my family and my internet time as I turned tight, slow corners through the roads of my online neighborhoods. It was then, as cultivated nostalgia fed my senses, that I took my eyes from my screens and to myself, to those weathered roads of memory where the skyline is mostly foggy and the rain is cold enough to sting a bit but light enough to feel like mist.
By Katy Yocom, Spalding School of Writing Associate Director of Communications and Alumni Relations
This is the time of year when students and alums start sending me GIFs of impatient cats, with captions like “Me watching my email for news about Paris.”
I know you’re eager to make your plans. I swear we’re not holding out on you; we’re just putting the final touches on the residency. And in that spirit, even though final details are still in progress, here’s what I can tell you.
By Debra Kang Dean, Spalding School of Writing Poetry Faculty
For any circuit the electrical current is directly proportional to the voltage and is inversely proportional to the resistance.
As a consequence of my bewilderingly high scores in the electronics section of the battery of tests I had to take before enlisting in the Air Force, I was recruited into the field of ground radio repair. It turned out to be a poor match since I never really got beyond being able to read schematics; I console myself by believing that one need also have mechanical sense to do well, and my scores on that part of the test had been dismal.
Jeremy Paden, Spalding School of Writing Translation Faculty
A popular internet list in recent years is the top 10 most beautiful but untranslatable words. 侘寂, wabi-sabi, beautiful imperfection in Japanese. Tartle, Scottish for the hesitation caused by forgetting someone’s name when in the middle of introducing them. The German word Verschlimmbessern, making something worse while trying to fix it. These lists go on and on.
Spalding University’s School of Creative and Professional Writing is pleased to welcome award-winning poet and teacher Maggie Smith to our poetry faculty. Smith will deliver a poetry lecture during our Fall 2019 residency, November 15-24, and will mentor students in independent study. She joins award-winning poets Douglas Manuel, Keith S. Wilson, Debra Kang Dean, Lynnell Edwards, Erin Keane, Greg Pape, and Jeanie Thompson on faculty.
“Of course, everyone knows what a spectacular poet Maggie Smith is,” said School of Writing Chair Kathleen Driskell. “But what makes her perfect for Spalding is that’s she’s a committed and generous teacher who will provide expert instruction to our graduate writing students.”
The School of Creative and Professional Writing at Spalding University is pleased to announce the hiring of four new faculty members to teach in the school’s low-residency graduate writing programs.
Jason Kyle Howard joins the faculty in the areas of creative nonfiction and professional writing. Howard is author of A Few Honest Words, an essay collection that explores how the land and culture of Kentucky have shaped American music through the work of musicians including Dwight Yoakam, Jim James, and Naomi Judd, among others. He is author of the essay and oral history collection Something’s Rising (co-written with Silas House). A widely acclaimed music writer, Howard has interviewed musicians spanning all genres including Yoko Ono, Carly Simon, Patty Griffin, and the legendary folksinger Jean Ritchie. His essays and commentary have appeared in the New York Times, Oxford American, Salon, The Nation, The Millions, Utne Reader, Paste and Sojourners and have been featured on C-SPAN’s Book TV and NPR. He previously served as senior editor for Equal Justice Magazine. Howard is currently editor of Appalachian Heritage, a literary quarterly based at Berea College, where he teaches and directs the creative writing program. He lives in Lexington, Kentucky, and holds an MFA from Vermont College of Fine Arts.
Outside the New Miyako Hotel cicadas’ voices ricochet off
the doors of waiting taxis. It is going
to be another really hot day. We cross
the street to Kyoto Station, following our guides Yuko and Kuniko to the boarding
platforms where we will wait for the bullet train to Hiroshima. We have been warned: when the train arrives the doors will open
and remain open for two minutes, then they close and the train is off with or
By Beth Ann Bauman, Spalding MFA Faculty, Writing for Children and Young Adults
One of my favorite TV shows is the HBO crime drama “The Night Of.” It’s tough and gritty and co-written by the inimitable Richard Price. I’m going to detour here and mention how at a New Yorker festival years back, I first met Price when he and another author gave talks about their writing. The first was affected and kept tinkling the ice in his glass in a soft, actorly way. He was sort of full of it. Price, on the other hand, bounded onto the stage when it was his turn, looking like he was wearing a pajama top. He looked at us and said, “Hey, did you know there’s a really good bar across the street?” Well, he had our attention.